Can it be sacrilege to declare that the best-looking film set in Paris was shot by several Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French money – together with the neoclassical edifices of Mussolini’s Rome – in great blues and shards of light as sharp given that https://eyecandid.io/user/phimhentais-10109469/gallery